Bien que certains groupes, parmi lesquels les Bay City Rollers ou Big Country, aient tenté à la fin des années 1970 et au début des années 1980 de tisser des liens entre musique populaire et certains aspects de l’identité écossaise, ils eurent tendance à recourir à des traditions inventées. Il s’intéresse à deux groupes en particulier, Runrig et les Proclaimers. Il se concentre sur la fin des années 1980, période clé de changements politiques pendant laquelle les conservateurs de Margaret Thatcher furent de plus en plus marginalisés, des doutes furent exprimés à l’égard de l’orientation politique suivie par le parti travailliste, et une revendication pour l’autonomie de l’Écosse se fit entendre. Cet article suggère que la musique populaire a joué un rôle significatif dans l’émergence d’une scotticité de gauche. Les dernières évolutions de la politique en Écosse, telles que la victoire retentissante du parti national écossais aux élections législatives de 2015, semblent témoigner de l’existence d’un fort sentiment d’identité nationale s’appuyant sur des valeurs progressistes. Both groups not only reflected trends in Scottish society but also contributed to shaping them due to the large audience of young people that they attracted. Based on the theories of sociologists of rock according to which the meaning of music comes from its lyrics, sound and performance, this paper will argue that Runrig and the Proclaimers conveyed a contemporary left-wing version of Scottishness. Although groups in the 1970s and early 1980s, including the Bay City Rollers and Big Country, had tried to bring together aspects of Scottish identity and popular music, they tended to resort to invented traditions. ![]() It will focus on two groups in particular-Runrig and the Proclaimers. It will concentrate on the late 1980s, a key period of political change in Scotland when Margaret Thatcher’s Conservatives were increasingly marginalised, doubts were expressed about the direction of the Labour Party, and demands for devolution were growing. This paper will suggest that popular music has played a significant role in the emergence of left-wing Scottishness. Recent developments in Scottish politics, such as the Scottish National Party’s resounding victory in the 2015 general election, would seem to attest to the existence of a strong sense of national identity underpinned by progressive values.
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